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On April 11: LightHouse Listenings (in the dark) with Romanian Guitarist Ioana Gandrabur

On April 11: LightHouse Listenings (in the dark) with Romanian Guitarist Ioana Gandrabur

LightHouse continues its live listening party for ears only, LightHouse Listenings, on April 11 from 5:30 to 7:00 p.m. at LightHouse Headquarters. Join us for an evening of live music in the dark with award-winning classical guitarist Ioana Gandrabur, as she incorporates music with lively interactive discussions about music, blindness, and non-visual entertainment. Learn more and RSVP for the event.

“I used to keep the music apart from the fact of being blind,” says 45-year-old Romanian musician Ioana Gandrabur.

Ever since she was young, Ioana felt a draw and a connection to music. After learning the piano at age five, she picked up the guitar, and by age 14 she had won the Romanian National Guitar Competition.

At 16, she moved to Canada to study at the Conservatoire de Musique de Montréal, where she graduated with honors. She continued on to Europe, where she studied at the Musikhochschule in Kolh, Germany, the Musikakademie in Basel, Switzerland and the Musikhochschule in Düsseldorf, Germany.

Throughout her education and pursuant career as a musician, Ioana was very aware that her blindness impacted how others perceived her identity.

“I never wanted to be known as a blind musician, just a musician,” she says. “But in time, I realized that it’s part of who I am just as much as being a woman.”

With age, she says, she realized that she had a unique perspective on music that she felt compelled to share.

“I joke with musicians and say that as a blind musician, I’m forced to do what any good musician does anyways, which is establish a non-visual connection with their instrument, tactilely and acoustically. This non-visual connection helps with memorization, too. So in some ways, blindness helps hone musical skills.”

Ioana says the opportunity to speak about how her blindness shaped her perspective on music, and music on blindness, attracted her to performing at LightHouse.

As part of her LightHouse Listenings performance, Ioana will play a concert in complete darkness – a format she says not only changes how the audience perceives the music, but also how she performs.

When she had performed in the dark previously, she remembers instinctively getting up to bow at the end of a piece.

“I realized, ‘Wow, I’m bowing to people that can’t even see me,’” she says. “It’s a very funny feeling to be in the spotlight, so to speak, and unseen; it’s a weird paradox.”

She says that this paradox creates a rich space for introspection, and that she hopes to cultivate an musical environment of understanding and appreciation.

“It’s an invitation for people to share the way me and other blind people perceive the world. And, for me, it’s an invitation for me to realize just how much my sense of being seen shapes reality.”

What exactly are ‘live listening parties’?

LightHouse Listenings is an event series dedicated to non-visual entertainment that foregrounds sound (check out this one with Bay Area podcast The World According to Sound, or this one featuring blind adventurer Erik Weihenmayer). We’ll host panels, album releases, live musicians, you name it — if you’re into listening, we’ve got the venue. If you’re interested in staging your event for LightHouse Listenings, contact LightHouse Events Manager Andrea Vecchione at avecchione@lighthouse-sf.org.

Multipurpose Room Rental

Multipurpose Room Rental

This scenic 2,025 square foot assembly space is located on the 10th floor of our building at 1155 Market Street, just around the corner from Civic Center and UN Plaza. Our multipurpose rooms are equipped with state-of-the-art AV equipment, sound proof paneling, and flexible, electrical and data equipped tables. The event space has floor to ceiling windows and spectacular views from City Hall all the way to Nob Hill.

Situated across from the Orpheum Theatre, you can stroll over after your meeting for a night of musicals and theatre. We are adjacent to the main public library with nearby access to the Asian Art Museum, Dolby Laboratories, Twitter headquarters and the densest public transportation hub of the Bay Area.

View the floorplan

This space is great for:

  • Trainings
  • Lectures
  • Workshops
  • Motivational gatherings

AV includes:

  • Three 80” Samsung TVs
  • Apple TV
  • AV Bridge Conference
  • Tactile Interface switch box for video or telephone conferences
  • Lecterns with laptop video inputs
  • Adjustable lighting with privacy shades
  • In-room acoustic paneling
  • JBL overhead speakers
  • Fiber-powered public WiFi

Any technology requirements that are listed may be requested during your intake meeting with our events team, which will be scheduled once you complete your rental application. 

Ready to book? Read our FAQ and fill out a rental form

Before beginning the rental process, please read our FAQ.  Next, complete a rental application.

For additional details, contact our office at 415-619-7679 or 415-431-1481 or email events@lighthouse-sf.org

Superfest 2017 Ups the Ante on Film Festival Diversity and Accessibility

Superfest 2017 Ups the Ante on Film Festival Diversity and Accessibility

Get ready for the 31st year of Superfest International Disability Film Festival on November 4 and 5 in San Francisco and Berkeley. We’re thrilled to announce our spectacular and diverse lineup, co-produced with the Paul K. Longmore Institute on Disability at San Francisco State University.

“When you’re a showing a film by or about someone with a disability, you can’t ignore the needs of the disabled audience,” says Emily Beitiks, Associate Director of the Longmore Institute, which co-sponsors the festival with LightHouse for the Blind. “The technology exists. It’s something every modern film festival needs to consider.”

As always, Superfest will be furnished with a wide range of accessible accommodations: audio description, open captions, ASL interpretation, audience-integrated wheelchair seating, close-up seating for people with low vision or who are deaf or hard of hearing, a chemical free and scent free area set back from rest of audience, a place to retreat, gender neutral restrooms, easy access to public transportation including BART and MUNI, and ramp access to the stage.

At Superfest 2017, more people with disabilities will be telling their own stories through film than ever before. Our filmmakers are geographically diverse as well; we’ll be screening films shot and produced in Myanmar, Colombia, Germany, Vietnam, Australia, Japan, Canada, Italy and the United States. Furthermore, we will welcome filmmakers from more than half of these films in dialogue with our local community and each other to deepen the global conversation and movement around disability film.

Our best-of-festival feature, Deej, embodies this value as a one-of-a-kind collaboration between a veteran filmmaker and a nonspeaking autistic person. Director and producer Robert Rooy and subject and producer DJ Savarese share editorial control as they attempt to navigate the challenges of representing autism on-screen and the resources for parents with autistic children to help them out.

A local film, On Beat, tells the story of two deaf parents with hearing children who unite over a shared love of music. Get to know the filmmaker here.

And, without further ado, a complete list of our SuperFest 2017 films…

SATURDAY, NOVEMBER 4, AFTERNOON

Buy tickets for Saturday’s showing.

CHIEF

Directed by Amir Jaffer

United States, 2016, Documentary Short

This reverent ode to the service dog tells the story of German immigrant Sonja Ohldag, who is diagnosed with a seizure disorder after moving to the U.S. in 1999. Unable to afford a service animal from an organization, Sonja trains her dogs herself and takes a chance on Chief, who is not your average service dog.

MIND/GAME: THE UNQUIET JOURNEY OF CHAMIQUE HOLDSCLAW

Directed by Rick Goldsmith

United States, 2015, Feature Documentary

Basketball superstar Chamique Holdsclaw faced six felony counts, the possibility of prison and public attacks on her character. Her rollercoaster attempts at recovery from near suicide reveal an uphill battle against the stigma of psychiatric disability and show a deep journey that is powerful, revelatory, instructive and real.

WHEN BRENDEN MET HIROE

Directed by Steve Mayer-Miller

Australia/Japan 2016, Documentary Short

A photographer from Australia returns to Japan to reunite with his friend Hiroe, who he met at a blind and deaf/blind workshop the year before. The pair spends an unforgettable day together.

THE BARBER OF AUGUSTA

Directed by Michèle Hozer

Canada, 2016, Documentary Short

Liane Yasumoto’s Jury’s Choice Award

Toronto native Matthew Genser goes to great lengths to find his unexpected superpower: cutting hair. Like all superheroes, he has a dark side; but in his costume, he’s invincible. Put on your cape and get lined up!

SATURDAY, NOVEMBER 4, EVENING

TRAVELLER

Directed by Nwaye Zar Che Soe, Mine Aung Lin Tun, Pyae Zaw Phyo

Myanmar/Japan, 2014, Documentary Short

Disability Justice Award

Co-presented with CAAMFest

A young woman born with a disability searches for a career despite rampant discrimination. She travels to Japan where she finds strength in disability activism and community, and returns home with a newfound sense of pride.

ON THE OUTS: REENTRY FOR INMATES WITH DISABILITIES

Directed by Jordan Melograna

United States, 2016, Documentary short

“On the Outs” follows three inmates with disabilities as they prepare for reentry, get discharged and navigate the challenges of returning to their old lives. Produced by the Amplifying Voices of Inmates with Disabilities (AVID) Prison Project, this documentary scrutinizes the prison institution and its treatment of inmates with physical and emotional disabilities.

STAB: LIFE AS A VOODOO DOLL

Directed by Jeanette Castillo

United States, 2017, Animated Short

An animated comic medical memoir dedicated to all those who live with chronic illness or disability. Writer and director Jeanette Castillo pairs her tongue-and-cheek personal account of living with Type 1 diabetes with criticism of the American healthcare system.

SIGN

Directed by Andrew Keenan-Bolger

United States, 2016, Short

Two men meet on a train—and a tender and unspoken love story unfolds. Through vignettes, music and sign language, “Sign” follows the relationship between Ben (hearing) and Aaron (Deaf) as they navigate life’s milestones side by side.

IN CRYSTAL SKIN

Directed by Michaela O’Brien

United States/Colombia, 2016, Documentary Short

Best of Festival, Short

In Bogotá, Colombia, a charismatic 11-year-­old named Maria lives with the limitations imposed by a rare skin disease. Her fierce bond with her mother is tested and strengthened as they struggle to preserve Maria’s swiftly passing childhood.

SUNDAY, NOVEMBER 5, AFTERNOON

Buy tickets for Sunday’s showing.

DEEJ

Directed by Rob Rooy

United States, 2017, Documentary Feature

Best of Festival, Feature

After being abandoned by his birth parents, DJ found not only a loving family but a life in words through a text-to-voice synthesizer. Told by DJ himself, “Deej” was filmed over six years in the American Midwest and chronicles his journey to become Oberlin’s first non-speaking, autistic student.

LEFTY & LOOSEY

Directed by Zico Abrar

United States, 2016, Fictional Short

In this techy ode to film noir, two amputee veterans turned private investigators uncover a diabolical plot and must overcome their fears to crack the code and save the world.

RHIZOPHORA

Directed by Julia Metzger-Traber, Davide De Lillis

Germany/Vietnam, 2015, Documentary Short

Forty years after the Vietnam War, the toxic remnants of Agent Orange have not faded. In this dreamlike meditation on the impact of war and the resilience of humanity, “Rhizophora” follows 11 disabled Vietnamese youth on a whimsical, poignant and whirling journey through a day in their lives.

ON BEAT

Directed by Cheng Zhang, Reid Davenport

United States, 2015, Documentary Short

This documentary short follows the lives of a deaf couple with hearing children and the unexpected outlet that brings their family closer together.

WELL DONE

Directed by Riccardo Di Gerlando

Italy, 2016, Short

A sharply-dressed young man with Down syndrome sneaks out of his house to visit an art museum and causes a disruption. Through humor and irreverence, this film reminds us that art can be interpreted by everyone, not just the “experts.”

THE CHILI STORY

Directed by Patty Berne

United States, 2014, Animated Short

P.K. Walker Innovation in Craft Award

A true story about desire and the arousal of taboo on a BART train.

Special thanks to:

Sponsor logos: George Lucas Family Foundation, Zellerbach Family Foundation, Ned Nobari Foundation, Golden Gate Regional FoundationSponsor Logos: Telecare, Barron & Lam LLP, Gatepath, JetBlue, Guide Dogs for the Blind, Contemporary Jewish Museum, Shauna Farabaugh Somatic Sex Education

For Ears Only: LightHouse Listenings presents podcast ‘The World According to Sound’ on March 8th and 9th

For Ears Only: LightHouse Listenings presents podcast ‘The World According to Sound’ on March 8th and 9th

Ever wondered what bridges sound like? Or ants? In a new event at LightHouse, we’re offering an opportunity to relax, join friends for a drink and simply enjoy the act of listening.

On March 8th and 9th, the LightHouse for the Blind in San Francisco will host its first-ever LightHouse Listenings — a live listening party for ears only — featuring San-Francisco based podcast The World According to Sound.

When: Wednesday, March 8th and Thursday, March 9th at 7 p.m., doors open at 6 p.m.

Where: LightHouse Headquarters, 1155 Market St., 10th Floor, San Francisco

Cost: $10 in advance. $15 at the door (cash only). Visit our Eventbrite page to purchase tickets online. If you experience any difficulties purchasing tickets through Eventbrite, contact LightHouse Events Manager Dagny Brown at dbrown@lighthouse-sf.org or 415-694-7311.

The World According to Sound (WATS) takes you on an hour-long jaunt through sound and space. Auditory hallucinations, cityscapes of bygone eras— these are the sonic oddities you might experience (or just truly pay attention to) for the very first time. Think 100 people sitting in a dark room equipped with sleep shades as they listen to a selection of choreographed sounds coming from eight world-class speakers placed throughout the room.

If it all sounds a little curious or experimental, we’ve got you covered: come straight from work for a beer on us. Doors open at 6. We think letting your mind do a little wondering and wandering might just be the perfect way to unwind after a long day in the office.

Not only are podcasts an inherently accessible medium for the blind and low vision community, but The World According to Sound is perfect for our audience of radio, recording and audio enthusiasts. So we’re teaming up with the podcast to bring the event directly to a local live audience for The World According to Sound’s east coast tour sendoff. It’s your chance to lean back and listen to the sound of blackholes, auctioneers, the Golden Gate Bridge and more — the eyes have no place at this event.

The two public radioheads behind the WATS, Chris Hoff and Sam Harnett, are no strangers to their live event’s popularity in the blind and low vision community — that’s why they approached us to host their east coast tour sendoff. The podcast’s very first donation, back in 2015, came from a blind listener in Nevada, who loved the evocative nature of the 90-second sound show. They have since received recurring praise from other blind and low vision attendees who were refreshed to find an event so tailored to a non visual medium.

Hoff and Harnett also have some interesting theories about sound and visual culture. They think that non visual mediums, like sound, might create a little more room for a special mental state to creep in – one might call it luxurious boredom – a kind of freeing opportunity for the always-spinning brain.

“Visual culture in America is so dominant and controlling,” says Sam. “But when you present sound in the right way, you create a space where your mind is invited to meander.”

“We’re looking for a sound that can communicate to the listener in a new way, evoke something and making you think about the world differently,” says Chris. “Our jobs in public radio have made us pay attention to sound — we’ve been conditioned to listen to spaces.”

You’ll probably walk away from the event thinking about audio in a whole new way. We certainly did after digging into a few episodes on the World According to Sound’s SoundCloud page.

LightHouse Listenings

We present live listening parties for ears only, from live podcast recordings to pre-recorded material, hosted by LightHouse for the Blind and Visually Impaired in San Francisco. We’ll host panels, album releases, live musicians, you name it — if you’re into listening, we’ve got the venue. If you’re interested in staging your event for LightHouse Listenings, contact LightHouse Events Manager Dagny Brown at events@lighthouse-sf.org.

About the World According to Sound

Sam Harnett and Chris Hoff started the World According to Sound show with one idea: to make radio that’s about sound, not storytelling. They both tell stories in their public radio day jobs — Sam as a reporter at KQED and Chris as a sound engineer at KALW. But they believe the medium has potential for so much more. That’s their bigger goal—to bring more sound, more experimentation, and more weirdness to mainstream public radio in their 90-second podcast.

WATS East Coast Tour

Starting on March 25, the World According to Sound will be touring the east coast and presenting their live event at colleges and universities including Skidmore College, University of Vermont,  Boston University and others. First stop? UVM on March 25th. Visit www.theworldaccordingtosound.org to stay updated.

A special thanks goes to BBI Engineering Inc. for sponsoring this event with the donation of eight world-class speakers.