LightHouse Interpoint is our new literary supplement, featuring written work by some of the world’s most interesting and engaged individuals who are blind or have low vision. Read our submission guidelines here.
The world of a visual storyteller is a world of promises and challenges: how to find the best shot; how to capture the best shot; how to get back to the studio without accidentally erasing the best shot. And as you can imagine, when people see my white cane, they want to know more than ever about these promises and challenges. Above all, they want to know, how do you do it?
What they don’t immediately understand is that I’ve had the good fortune to see some remarkable sights, from the sun rising over the white sands of a New Mexican desert to the moon over El Capitan. I’ve seen the joy on the face of a marathon runner breaking the tape at the finish line, and the anguish of a parent steering her child through another round of chemotherapy. I’ve been a reporter, a photographer, an editor and a filmmaker my whole life, and I can hardly remember a time where I’ve worked more than a few feet from the lens of a camera.
Beyond all the day-to-day challenges and promises of visual storytelling, though, filmmakers all face a more important question, the question of not how but why. I can weave those shots together, but why do it unless the story makes the viewer feel something? Continue reading How vs. Why: Advice from a Blind Filmmaker