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MAD Lab

Behind the Map: A midwesterner meets Market Street

In January, LightHouse started offering TMAP — on-demand tactile street maps — for order at our Adaptations Store (1-888-400-8933). We have been hearing some amazing stories about how our maps are being used, so we wanted to share them with our mapping community. Order yours today by calling 1-888-400-8933.

When Sheri Wells-Jensen was a child, she got one book per week. That was how it worked, for a blind kid – a braille reader – who relied on braille lending libraries. Each week, Sheri would bound out of her front door, crashing through her front yard and into the mailman’s truck, to get her hands on one new book. Now a linguistics professor at Bowling Green State University, access to language and information has become a passion of Sheri’s, as well as other cool things like aliens and ukuleles.

A portrait shot of Sheri Wells-Jensen.She also loves exploring cities. Depending on how you see it, Market Street in San Francisco can feel like a boulevard of first-world efficiency or a medieval circus. At times, it feels like both at once. This wild, eclectic fusion can be intimidating for some, but this crazy hubbub is what Sheri loves most about visiting the city by the bay. On a recent trip, we had the pleasure of printing out her first-ever TMAP.

It was right before she was taking off to catch the bus back to her hotel. The bus stop was a few blocks away and Sheri, her own most cheerful but fierce advocate, exclaimed when we told her we had a tool to help her learn the neighborhood in just a few minutes – and that it was something she could bring with her, should she get lost or just want to explore.

image 1: A TMAP of the neighborhood around 1155 Market Street, marked by large print labelsimage 2: a TMAP of the neighborhood around 1155 Market Street, marked by braille labels

“Having an accurate,accessible,hard copy map to explore saves endless frustration,” Sheri says. “It changes the rules of the game: without the map, I get directions and learn a route, hoping to fill in details later on. With the map, I learn the neighborhood and then decide how I want to get to my destination.”

Holding her TMAP in front of her, pressed against her torso as she inspected the braille labels and learned the many swerving diagonals of the area, it was impossible not to feel the infectious sense of  satisfaction that comes from unlocking so much knowledge with such ease – especially for a kid who grew up on only one book at a time.

As Sheri sees it, maps and tactile aids are a crucial tool for anyone who needs access to information. And when she wants to learn an area, she thinks it’s better than talking. “I basically have two choices,” she explains. “I can sit some poor unsuspecting fellow down and grill him relentlessly about every intersection and every street name (most of which he won’t remember) – or – with a map in my hands, I can transfer the whole picture of the area straight into my head, thereby saving time and preserving my friendships.”

You can listen to Sheri talk about braille love letters and why braille is worth fighting for in a recent episode of The World in Words on PRI, entitled “Will blind people use Braille in the future?”.

Get your TMAP today

To order a map, call our product specialists at 1-888-400-8933 and specify the street address of the map you’re interested in receiving. Within two business days we’ll ship you your map, or make it available for pick up at the Adaptations Store (1155 Market St., 10th Floor, San Francisco, CA). Each TMAP package is $19.99 per address.

What’s in the package?

  • You will receive 3 map versions printed at simple, moderate and dense map scale ratios
  • A tactile map key
  • An introductory page
  • All materials are printed on 11” X 11.5” sheets of embossed paper and include ink / large print labels in addition to braille

Click here to learn more more about TMAP.

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The Asian Art Museum opens a new accessible exhibit

In a new exhibition of Indian art, San Francisco’s Asian Art Museum takes steps towards accessibility for blind and visually impaired patrons.

Closeup of a tactile version of The Hindu deity Kali, by Baua Devi, shows the deity's face in bright pinks, yellows and blacks with her tongue hanging out of her mouth.
Closeup of a tactile version of The Hindu deity Kali, by Baua Devi, shows the deity’s face in bright pinks, yellows and blacks with her tongue hanging out of her mouth.

On September 7, a new exhibition opens at the Asian Art Museum featuring 17 contemporary artists working in the Mithila style, a traditional style of women’s domestic decoration originating in the Indian subcontinent.

The exhibition, Painting Is My Everything: Art from India’s Mithila Region, includes three tactile renderings produced by the LightHouse’s MAD Lab and designed by Hong Kong-based social designer Rico Chan. The tactile renderings are displayed on kiosks throughout the exhibition, accompanied by braille labels and audio descriptions, which can be accessed through the museum’s app.

The temporary exhibition features 30 large scale contemporary works on paper from Bihar state, the subcontinent’s rural northeast. It is the first major exhibition in more than a decade to explore how this age-old tradition of women’s domestic decoration has become a vibrant arts movement with a surprising social impact. It is also the museum’s first foray into accessibility in the form of tactile translation, a method that they hope to fine-tune and experiment with in future exhibitions.

“We’ve been chomping at the bit to integrate more accessible accommodations and it was the exhibition that was coming up when everything fell into place,” says Director of Education and Interpretation at the museum, Deborah Clearwaters. “We want to be accessible to people of all abilities, and we know we have much more to do. This project is one experiment in bringing artworks to life for visitors who are blind or have low vision. We have more of an opportunity to try things in some of our changing galleries and these paintings really lend themselves to this approach because they’re very graphic and 2d in style.”

Mithila style painting is characterized by density of line and texture, strong figurative outlines of brush and ink, fine detailing and elaborate borders, and was originally practiced exclusively by women on the walls of their homes. The art form often depicts rituals or religious imagery, including scenes of weddings, flowers and animals as symbols of fecundity and depictions of Hindu god and goddesses. The style of painting is a catalyst of economic growth and social change in Mithila, and for many women, has translated into financial independence and community respect.

Women artists make up only 3 to 5% of major permanent collections in the U.S. and Europe, and in 590 major exhibitions by nearly 70 institutions in the U.S. from 2007 to 2013, only 27% were devoted to women artists. A further winnowing occurs for female Asian artists — so there’s a beautiful synchronicity, then, to making underrepresented work accessible to a group who has minimal access to visual art, even in the most established museums and galleries around the world.

“The Asian Art Museum stands firmly on the side of inclusion, global consciousness, and cultural empathy,” says the museum’s Artistic Director and CEO, Jay Xu. “Not only are our doors open to all, but we actively pursue ways to make our museum more accessible to more people.”

The idea grew out of conversations with disabled members of the Asian Art Museum when asked for suggestions for improving accessibility at an ongoing series of Disability Community Charrettes. Several blind or low vision members suggested tactile renderings and braille labeling to accompany detailed audio description. The museum involved several of these patrons (with varying degrees of vision) into an iterative process that determined the final tactile design and spatial layout of the exhibition.

The tactile kiosks are comprised of slanted counter-height platforms holding the artwork rendered in full color, with the added element of raised tactile lines and textures. The wall behind each kiosk offers a printed sheet with the verbal description of the piece as well as information about the piece in braille on the tactile surface. The accompanying audio description can be accessed via the Asian Art Museum’s app or this YouTube playlist. The setup is meant to allow both blind and sighted audiences to interact with the pieces in tandem and, hopefully, start a dialogue.

“This is an opportunity that we’ve been waiting for for a while,” says the MAD Lab’s Project Manager BJ Epstein. “We’re really excited to be able to produce tactile artwork for the Asian Art Museum. You can hear about a piece of art or read about a piece of art, but without vision, it’s by getting your hands on it that you can really get a sense of the piece and its layout. We’re really excited to be doing this for the museum and for our community.”

Painting Is My Everything: Art from India’s Mithila Region runs through December 30. The exhibition is open Tuesdays through Sundays from 10 a.m. to 5 p.m., and Thursdays until 9 p.m. Learn more about accessibility at the Asian Art Museum before you go.

Provide your feedback

The museum will host a focus group for blind and low vision patrons on Saturday, September 29 from 1 to 3 p.m. in hopes of understanding how to further improve their accessibility standards for future exhibitions — RSVP to communityengagement@asianart.org.

Contact the LightHouse MAD Lab

To contract for custom tactile maps of your neighborhood, workplace or university or propose a museum project like this one, visit http://lighthouse-sf.org/braille-and-accessible-design/.

Behind the Map: This O&M Instructor uses TMAP to demystify the streets of Vacaville

In January, LightHouse started offering TMAP — on-demand tactile street maps — for order at our Adaptations Store (1-888-400-8933). We have been hearing some amazing stories about how our maps are being used, so we wanted to share them with our mapping community.

Sarah McIntyre has fond childhood memories of San Francisco. These trips were all defined by one nostalgic artifact: a giant, foldable street map from AAA. “My mother taught me to read maps,” Sarah says. “She was always the navigator.” And though most families now navigate with digital maps, Sarah fondly remembers the hard copies: well-loved, frayed on the edges, markings revealing every adventure past and future.

Today Sarah is an orientation and mobility instructor at LightHouse, and when she teaches blind students, she stresses this point: navigating by smartphone works until it doesn’t — until you’re out of service, or the environment is so loud that the speech from your phone is too hard to hear. Even with endless technology at our fingertips, there’s no match for a real map.

This is why, when our Media and Accessible Design (MAD) Lab started creating automated tactile maps (TMAPs) this year, Sarah immediately adopted the on-demand maps as a learning tool for her students.

Working out of Solano County, Sarah finds that towns like Vacaville – where car culture reigns supreme – can be hard for pedestrians to picture in the mind.

Map segment depicting a point of interest on a loop with multiple cross-streets
Map segment depicting a point of interest on a loop with multiple cross-streets

Sarah recently used TMAP to confront just this sort of dilemma with a student living on a street that was a circular loop – but not a perfect circle. Using words to explain the tricky extra turn to lead the student back to her doorstep was proving too difficult. New to America, the student had only been in the United States for three years, and mobility was a challenge. It would be a crucial step forward for her to master her home neighborhood.

Normally, Sarah would have confronted this challenge by taking out her DIY mapping kit: a roll of heavy duty aluminum foil, various hand embossers and loose Wikki Stix, among other odds and ends. But hand-crafting a tactile diagram is a big effort to explain one confusing intersection. With TMAP, Sarah had a touchable diagram of the strange circular block printed immediately.

Another student had Sarah print his first TMAP of the area around Gold’s Gym in downtown Vacaville. As luck would have it, the gym turned out to be smack dab in the middle of downtown, which meant that this map would be a particularly good one; useful for finding more than just the gym.

Sarah and her student headed downtown with the map, starting from the center and getting to know the outlying streets –– turning the map with each turn of the corner to navigate methodically, non-visually, through Vacaville’s old town center.

A map depicting many streets in the downtown grid of Vacaville, centering around 201 Main Street.
A map depicting many streets in the downtown grid of Vacaville, centering around 201 Main Street.

For her student, Sarah says, the map was a revelation. “He didn’t know how to read a map visually, let alone non-visually,” she points out. “That’s a huge emotional thing for people, to actually gain a new skill that you thought required eyesight.” Now, she says, he is talking about traveling for work and getting to know new cities with a new level of confidence.

Teaching her students to use the map key has also been a huge boost for their mobility. Not only does each TMAP come with a prominent compass rose, but the key lists the running direction (e.g. North-South or East-West) of each street – all in large print and braille.

“I love braille,” says Sarah. Usually when someone who isn’t blind professes such a thing, they’re not actually familiar with the writing system, or at best, a romantic. But Sarah is serious. “Audio is very linear, and you need the ability to stop moving forward, to control the pace you’re reading at and backtrack fluidly and with braille you have that option. Braille works the same way vision does in that sense.”

Sarah tells her students they don’t need to know braille in order to benefit from the TMAPs, but it’s sure a valuable skill to develop.

Get your TMAP today

To order a map, call our product specialists at 1-888-400-8933 and specify the street address of the map you’re interested in receiving. Within two business days we’ll ship you your map, or make it available for pick up at the Adaptations Store (1155 Market St., 10th Floor, San Francisco, CA). Each TMAP package is $19.99 per address.

What’s in the package?

  • You will receive 3 map versions printed at simple, moderate and dense map scale ratios
  • A tactile map key
  • An introductory page
  • All materials are printed on 11” X 11.5” sheets of embossed paper and include ink / large print labels in addition to braille

Click here to learn more more about TMAP.

Love Maps? Sign up for our Map Love newsletter!

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LightHouse’s MAD Lab designs tactile comic strips for the Charles M. Schulz Museum

Charlie Brown and Snoopy are some of the most well-known characters of all time. By the time Peanuts’ creator Charles Schulz retired in December 1999, the comic strip had run for 50 years and been syndicated in over 2,600 newspapers worldwide, with book collections translated into more than 25 languages.

Peanuts is universally human in its sarcastic, nostalgic, bittersweet, silly, realist and occasionally fanciful humor. Schulz filtered his own dark irreverence into the trials and tribulations of Charlie Brown, Snoopy, Linus, Lucy, and the rest of the characters many of us came to know and love. It is, fundamentally, a story of a dream not quite achieved — and how, even so, another day will come to pass.

A view of the Charles M. Schulz museum lobby.
A view of the Charles M. Schulz museum lobby.

It’s for its universality and renown that the Charles M. Schulz Museum in Santa Rosa remains dedicated to making Peanuts accessible to all — including the blind and low vision community. Just this month, the LightHouse MAD Lab worked with the Schulz Museum to create a tactile representation of a four-panel Peanuts strip first published on July 31, 1951.

The museum’s School and Youth Programs Coordinator Monica Hernandez initiated the collaboration after learning more about museum accessibility while studying at SF State, and to prepare for the museum’s second Accessible Tours Day, which will be held on September 23, 2018.

“As I understand it, often people with disabilities are told that they’re too expensive, that it’s too much trouble or effort to take on a project like this,” says Hernandez. “That’s not what we’re about. We try to do our best with accessibility at the museum.”

“The comic strip and Peanuts in general are such an accessible and universal topic,” she continues. “People from all over the world love and know and understand Snoopy. Schulz put a little bit of himself into every character, and we all relate to at least one of them — whether it’s the innocent and gullible Charlie Brown or Peppermint Patty because she’s good at sports.”

The strip in question was chosen deliberately in hopes of demonstrating the evolution of the (arguably) most beloved characters — Charlie Brown and Snoopy. An earlier depiction, the strip shows Snoopy running on all four legs (he later evolved to his more recognizable upright, two-legged stance) and a youthful, oblong-headed Charlie (into the 90s, his neck and torso elongated and he adopted a wobbly, anxious mouth).

Charlie Brown challenges Snoopy to a race: “Snoopy, let’s have a race!” When Snoopy sets off, Charlie Brown stays put: “Ah, now I can eat this candy in peace!”

It’s a sweet a simple strip that offers some insight into the very beginnings of the Peanuts’ long and storied history and evolution. MAD Lab’s 10″ X 11″ Direct UV prints used the simplicity of Schulz’s bold lines to their advantage — one set of the ensuing tactile representations feature one-to-one raised lines and braille descriptions. A second set used used various fills, textures and relief heights to differentiate between the overlapping figures of Charlie Brown and Snoopy.

MAD Lab’s Senior Designer Naomi Rosenberg found the project to be a great exercise in translation: “We’re trying to stay as true to the original comic strip as possible, but translate it in a way that makes sense to the touch,” she says. “Pairing tactiles with succinct descriptions provided by the museum was a great approach. They really had the right intentions and a good understanding of the needs of blind users. There’s something exciting about working with a museum that sees a lot of kids and school groups coming through. The project might have an impact on exposing kids to tactiles early on.”

Hernandez was very happy with the project’s outcome and looks forward to seeing how the community receives the strip during Accessible Tours Day.

“It was so great working with the MAD Lab on this project and learning from their expertise,” says Hernandez. “They were very positive and warm throughout the process and openly offered suggestions. The project will go a long way for increasing the Museum’s accessibility and starting further conversations and projects around access.”

Accessibility at the Charles M. Schulz Museum

Schulz himself initiated accessible projects including a braille version of “Happiness is a Warm Puppy”, which can be viewed at the museum upon request.

MAD Lab’s tactile comic strip is also on view by request and will be available for viewing the museum’s Accessible Tours Day on Sunday, September 23 from 10 a.m. to 1 p.m. Special tours will be available for deaf, hard of hearing and low vision visitors led by trained docents with sign-language interpreters throughout the morning.

To reserve your tour time in advance call 707-284-1263 or email monica@schulzmuseum.org. Tours are included with regular museum admission and the museum also offers large-print booklets of exhibition text at the front desk for low vision visitors.

Contact the MAD Lab

To contract for custom tactile maps of your neighborhood, workplace or university or propose a museum project like this one, visit http://lighthouse-sf.org/braille-and-accessible-design/.

Ten things to know about tactile graphics

Here at the LightHouse, we’re determined to be at the forefront of tactile innovation, education and literacy. Thanks to the work of our Media and Accessible Design Lab (MAD Lab), we’re constantly generating new methods of conveying visual information in accessible and thoughtful ways, and working with organizations all over the world as consultants and educators. Just this month, we presented during San Francisco Design Week to a group of more than 40 designers from various industries about the value of tactile literacy. The follow tips are a great starter kit to understand the importance of accessible print design and way to approach its design:

Tactile graphics convey non-textual information to people who are blind or have low vision. These may include tactile representations of pictures, maps, graphs, diagrams and other images. A person who is blind can feel these raised lines and surfaces in order to obtain the same information that people who are sighted get through looking at pictures or other visual images.

  1. Developmentally, touch begins at birth whether sighted, visually impaired, or blind. Even sighted infants have low vision, so tactile stimuli is a huge part of early development.
  2. Tactile Graphics are vital to inclusion in education, employment, transit, and many other areas. As a highly visual society, we often convey useful and educational information visually. People who don’t have access to visual cues because of blindness get excluded from educational, practical and recreational information. It’s crucial to provide children accessible versions of visual information at the same time as their sighted peers.
  3. To interpret and understand a tactile graphic, the reader must have some experience with the object or concept being pictured. Background information and context are key. Take a map of a bus stop as an example — to interpret it you’d need to know enough about buses to know that they travel along streets. Building on an existing knowledge of a space or topic, a key identifies symbols or labels. Symbols and braille abbreviations are crucial when designing a tactile graphics, because they simplify information and make landmarks easy to identify and differentiate.
  4. Build on students’ own experiential knowledge and concrete understanding. Beginner tactile learners benefit from exposure to maps of a place they know well, like their bedroom, so they can make connections between their mental map and the physical space that the map represents. If you know it’s ten feet to the door from your bed, you’ll have a better sense of the relationship between the bed to door when observing a tactile representation.
  5. The key word of tactile graphics is simplify, simplify, simplify! When designing a tactile map, we always identify the most essential parts of the information being conveyed. We ask, “What are the essentials of moving through this space?” On a TMAP (the simplest of our maps) we don’t include buildings because they create clutter, and make the maps harder to decipher.
  6. There is more to making a graphic tactile than raising lines and adding braille labels. You can’t just raise the lines on a map as is — you have to leave white space, room for braille labels, create space, find the essentials, make sure the relationships between points of interest are preserved, and select the most important points to include. Again, simplify! Our maps may not be to scale, but we’re sure to preserve the necessary relationships between landmarks.
  7. Not everything that appears as a visual graphic needs to be a tactile graphic. Sometimes a picture is worth a thousand words, and sometimes the words are worth the words. Ask yourself, “What is the most useful way of conveying information?” Sometimes a sentence or a 3D object representation would be a more effective means of communicating information. It depends on the audience, their skill-level and what you’re trying to convey. If an object is too small, too large, too dangerous, then make a tactile graphic — but if you’re trying to show someone what a pine cone is, then bring them a pine cone.
  8. Reading and understanding tactile graphics is not as easy as it may look; do everything you can to make it easier. Reading tactile graphics is not an inborn skill, it’s a skill that needs to practiced. You can run your hands across lines and get nothing out of it if you haven’t been taught how to interpret that information. Tactile literacy comes with education, simplification and builds on existing knowledge. It’s not easy — but with some research designers and educators can make it easier on blind and low vision students.
  9. With good tactile graphics, great results are possible. With a good tactile graphic, a blind person can lead a sighted person around a space!xfst
  10.  There are resources available! You don’t have to do this alone.

To learn more about tactile graphics, get in touch with the LightHouse Media and Accessible Design Laboratory (MAD Lab).

The LightHouse MAD Lab is comprised of a team of designers and consultants specializing in braille, tactile maps, accessible venues and alternative media of many formats. They’ll help you go beyond baseline ADA compliance to contextualize and innovate within the scope of your project.

Braille Mail: Get Your Tactile V-Day Cards at the Adaptations Store

This Valentine’s Day, give your loved one real feels with our new line of fun, touchable greeting cards. Our Adaptations Store is offering three designs, each with ink-print, tactile and braille designs on a white background.

  • Individual cards are $6, or you can purchase four for $20.
  • All cards come with an envelope.
  • All front covers of the greeting cards feature a combination of ink print and tactile graphic design.
  • The Adaptations Store and the MAD Lab will continue working together to design fun and creative accessible greeting cards that appeal to a wide audience, for all occasions.
  • We will roll out cards all-year-round. Keep posted for birthday, thank you, Mother’s Day, and Father’s Day!
  • If you have suggestions for types of cards to sell for upcoming holidays, please email adaptations@lighthouse-sf.org.
A white greeting card features a 4 X 3 grid of ink-print and braille patterned and multicolored hearts.
A white greeting card features a 4 X 3 grid of ink-print and braille patterned and multicolored hearts. The inside of the card reads “Happy Valentine’s Day!” in red large-print and braille.
The inside of the card reads "Happy Valentine's Day!" in red large-print and braille.
An ink-print and tactile graphic of a tic-tac-toe board with a heart in the center, on a white greeting card. The inside of the card reads “Happy Valentine’s Day!” in red large-print and braille.
Red ink-print and braille X's and O's form the shape of one large heart on a white greeting card. The inside of the card is blank.
Red ink-print and braille X’s and O’s form the shape of one large heart on a white greeting card. The inside of the card is blank.
The inside of the card reads "Happy Valentine's Day!" in red large-print and braille.
The inside of the card reads “Happy Valentine’s Day!” in red large-print and braille.

 

Adaptations is the only place in Northern California with a comprehensive offering of tools, technology, and other solutions for blind and visually impaired people. The store is located at our San Francisco headquarters at 1155 Market Street, on the 10th floor. Store hours are Monday through Friday, from 10:00 a.m. to 5:00 p.m., with extended hours on Tuesdays until 7 p.m. We are also open on the second Saturday of each month from 10 a.m. – 2 p.m.Although we do not take online orders at the current time, we encourage you to call our staff at 1-888-400-8933 to inquire about item pick up or mail orders or email our store staff at adaptations@lighthouse-sf.org.

Maps, at Your Fingertips: The LightHouse Store Announces On-Demand Tactile Maps

Have you ever wanted to get to know the lay of the land before heading to a new city, campus or neighborhood? Wish you could just generate a quick, raised-line aerial map the way others do with Google? Whether it’s the blocks around your kid’s new school or a conference in San Diego — it’s not always easy to get a quick overview of a neighborhood before visiting. And unfortunately, mobile web mapping systems like Google or Apple Maps tend to fall short for blind users when it comes to getting the “big picture.”

Thanks to a collaboration between the Smith-Kettlewell Eye Research Institute and our Media and Accessible Design Lab, we’re pleased to announce that you can now order on-demand tactile maps of the area of your choosing for just $19 (plus shipping and handling) from our Adaptations Store. The tactile street maps depict the area around a user-specified address or intersection, using raised lines along with a circle marking the point of interest in the center of the map. Braille and large print labels indicate street names and other critical area information like cardinal directions, scale, and main streets. For those who are new to tactile maps, this is a great way to get started with this invaluable, always dependable tool for blind and low vision travelers. And for O&M teachers, or those learning how to travel with a dog or cane, this new instant service will make a tremendous difference.

To order a map, just call our product specialists at the Adaptations Store at 1-888-400-8933 and specify the destination of the map you’re interested in. Within two business days we’ll place your order, ship it or make it available for pick up at the store.

What’s in the package?

  • 3 signature Tactile and ink-printed Maps, generated by the MAD Lab at LightHouse for the Blind, of the area surrounding your point of interest: printed at simple, moderate and dense map scale ratios
  • A tactile map key
  • An explainer page
  • All materials are printed on 11” X 11.5” sheets of embossed paper and include ink / large print labels in addition to braille

Never used a tactile map before? Stop by the Adaptations Store in person and take a look at our pre-printed maps of the area around LightHouse Headquarters at 1155 Market St. We’ll help you get a feel for using tactile maps and you can even take a pre-printed tactile map with you for $19.

Our Burning Man Maps for the Blind are Back

Burning Man has ten tenets — perhaps the first and foremost being “radical inclusion”. On their website, the first principle reads, “Anyone may be a part of Burning Man. We welcome and respect the stranger. No prerequisites exist for participation in our community.”

It’s a philosophy that we share at LightHouse, and one that led MAD Lab designer and longtime Burner Julie Sadlier to debut a one-of-a-kind tactile Burning Man map two years ago. In other words, a Burning Man map for blind people .

This year, we’ve updated and improved the hybrid tactile-visual map for Burning Man 2017. We were able to complete the maps without a problem. The maps, with updated art placement, will be available at several locations in Black Rock City, including the Playa Information Booth, Mobility Camp and the CBT Project (at 7 and Fire), and here at the LightHouse headquarters starting August 23. To pre-order a map, contact our Adaptations Store at 1-888-400-8933 or adaptations@lighthouse-sf.org.

Calling it “awesome, no matter your level of sight,” The Atlantic’s CityLab aptly pointed out that you don’t have to be blind to use our map. Complete with braille, visual, and tactile representations of the event’s streets, information booths, first aid tents, restrooms, bus stops, camping, parking, and notable attractions such as artwork, Mobility Camp, The Temple and of course, The Man, the map is a great tool for anybody getting to know the festival – and one that is equally accessible to those with no vision. Now that’s radical inclusivity.

The map’s creator Julie Sadlier, said the response at Black Rock City over the last two years has been incredible, so much so that the leader of Mobility Camp, “Rat Lady”, contacted her way back in February to make sure she would be designing an updated version of the map for 2017.

“I had multiple people coming to my camp, even when I wasn’t there people were dropping off brailled business cards so they could talk more about the map,” says Julie. “Someone at Playa Information dismantled one copy and hung it on the wall to spread the word.”

It’s this type of openness and inclusivity, we’ve found, that opens unexpected doors and embodies the spirit of the LightHouse for the Blind as well as Burning Man. We look forward to printing even more than last year and to hearing your stories when you get back from the playa!

To get a copy of our map, call the Adaptations Store (1155 Market St., 10th Floor, San Francisco) at 1-888-400-8933, or email adaptations@lighthouse-sf.org. If you or your organization would like to design a fully accessible, inclusive map of, well – anything – email madlab@lighthouse-sf.org.

High School Students Collaborate to Create First-Known Braille Yearbook for their Blind Classmate

Photo: A smiling brunette Maycie reads one volume of the yearbook stacked on top of its three additional volumes. CREDIT John Burgess/The Press Democrat

A yearbook is a contradictory bit of nostalgia, a time capsule of days you either yearn to forget or wish you could relive. Regardless, it’s a trip down memory lane that everyone should have a chance to take, even those who get their ib diploma program online.

For better or worse, 18-year-old Maycie Vorreiter ordered a yearbook every year. And yet, for the Enchanted Hills Camp veteran, receiving the standard print yearbook was never very useful seeing as Maycie, now a graduate of ati las vegas trade school, has been blind since birth.

But early this year, the yearbook’s Editor-in-Chief Charlie Sparacio decided is was time Maycie received a yearbook she could really use. After winning $500 at a 2015 summer yearbook camp, the 18-year-old editor cooked up the idea of surprising Maycie with a 2015-16 yearbook printed entirely in braille. Advocates for the blind say this may be the first-ever braille yearbook.

What does a braille yearbook look like?

“I was so surprised. Honestly, it was the last thing I was expecting,” says Maycie. “What would it look like? I had this picture in my head of it being 10 to 15 volumes.”

The entire Windsor High School yearbook fit neatly into four volumes and, though it ended up costing more than $500 to source, could easily be printed by an agency like LightHouse at an affordable rate. There’s no traditional writing or design on the cover or inside the yearbook, just heavy white paper with a black spiral binding and a small label on the cover. Photographs were omitted from the braille version, but photo captions were included with lists of the students pictured in each photograph, allowing Maycie to have the same knowledge as her friends of who made it into the pages of high school history.

Maycie has enjoyed many summers meeting other blind students at Enchanted Hills Camp – in fact, she met her best friend there when she was 7 – but in a mainstream school setting, it’s important to be able to talk about the same stuff as the other students.

Though every school creating an annual braille yearbook is (quite literally) a tall order, Maycie thinks it’s a gesture that should be extended to each blind or visually impaired student in his or her senior year of high school.

“It was one of those really awesome moments that I would want to relive again, because it was done in braille and it has never been done before,” says Maycie, recalling the moment she received the yearbook in October. “My hope is that in the future other visually impaired students will get a braille yearbook for their senior year, too.”

After graduating from Windsor High, Maycie enrolled at the Orientation Center for the Blind in Albany, CA. Though she says mobility can be particularly challenging in the East Bay’s busy streets, she says she’s starting to get familiar with the city and learn the tricks of navigating on her own.

Braille equals literacy

Maycie is part of the less than 10 percent of the blind population that use braille – a number that LightHouse has long worked to increase. She has been reading and writing braille since she was 3 years old and used Perkins braillers and Braille note taking devices throughout high school. Braille, she reminds us, is an invaluable skill for blind students.

“I’ve used braille pretty much forever,” says Maycie. “I don’t ever want to give up braille. Braille is my way of reading and writing, and I don’t ever want to lose it.”

The LightHouse MAD Lab specializes in making materials like Maycie’s yearbook accessible – for clients small and large. Any media that facilitates independent education, communication and navigation for the blind community is fair game in our book.

We offer braille translation, audio recording and large print production, including conversion to DAISY formats for audio, in addition to the many forms of embossed and 3D graphics that we create on contract for consumers around the world. Recent big hits include the Apple iOS9 braille manual (available at our store), which consists of five volumes measuring 6 ½ inches high when stacked and weighing close to 10 pounds. The MAD Lab is currently translating the iOS 10 braille manual, which, at 82,164 words, will be larger yet. It may seem like a lot of weight, but that’s how important literacy is to the blindness community.

The MAD Lab produces a wide range of tactile media, including raised line drawings, tactile graphics and tactile maps like this one for Alcatraz, and other GGRNA maps – for everything from Burning Man to BART.

For a rate sheet or an informal quote on a business project, contact MADLab@lighthouse-sf.org.

Feel the Burn: Our Blind Burning Man Maps are Back

Imagine wandering the Nevada desert, amid the dust storms, all-night parties, and mind-boggling art of Black Rock City; now imagine doing it on your own and with no eyesight at all. Here at the LightHouse for the Blind, we are more than proud to make that dream entirely possible.

Last year, motivated by some of our very own adventurers here at LightHouse, we took it upon ourselves to design something brand new: a Burning Man map for blind people. A year later, we’re proud to announce that we’ve updated and improved the hybrid tactile-visual map for Burning Man 2016, and will make them available not only in Black Rock City, but also here at the LightHouse in downtown San Francisco starting August 22. To get one in advance of the event, email adaptations@lighthouse-sf.org.

tactile map showing overview of Black Rock CityCalling it “awesome, no matter you level of sight,” The Atlantic’s CityLab aptly pointed out that you don’t have to be blind to use our map. Complete with braille, visual, and tactile representations of the event’s streets, information booths, first aid tents, restrooms, bus stops, camping, parking, and notable attractions such as artwork, Mobility Camp, The Temple and of course, The Man, the map is a great tool for anybody getting to know the festival – and one that is equally accessible to those with no vision. Now that’s inclusivity.

After last year’s burn, we caught up with map creator Julie Sadlier, who is part of LightHouse’s MAD Lab (Media and Accessible Design Laboratory). She said the response at Black Rock City was awesome.

“I had multiple people coming to my camp, even when I wasn’t there people were dropping off brailled business cards so they could talk more about the map. Someone at Playa Information dismantled one copy and hung it on the wall to spread the word. They were delivered to Playa Information, Mobility Camp, our camp (Love Potion) had one, and I also gave one to the Black Rock Lending Library.”
lsit of street names with braille lettersIt’s precisely this type of radical inclusion, we’ve found, that opens unexpected doors and embodies the spirit of the LightHouse for the Blind as well as Burning Man. One member of Julie’s camp last year found himself stuck in a dust storm, taking refuge only to end up sitting at a bar next to a blind man he’d never met before. Without hesitation he pulled out of his pocket a souvenir: a little vile, embossed with braille, a signature of their camp. The man recognized the letters immediately and thus, a connection was made.

This year, our map is not only updated with new artwork sites (drawn from a combination of official Burning Man materials and the official unofficial BM Google map), but features a new logo inspired by  the 2016-specific theme of “Da Vinci’s Workshop.” We look forward to printing even more than last year, and to hearing your stories when you get back from the playa!

To get a copy of our map, call the Adaptations Technology Store (1155 Market St., 10th Floor, San Francisco) at 1-888-400-8933, or email adaptations@lighthouse-sf.org. If you or your organization would like to design a fully accessible, inclusive map of, well – anything – email madlab@lighthouse-sf.org.