Tag Archives: exhibition

Artist Exhibition: LightHouse Features Blind Painter Charles Blackwell

On March 23, we hosted the opening of painter Charles Blackwell’s art exhibition in our headquarters building lobby at 1155 Market Street. Blackwell is a longtime member of the LightHouse community, and we are thrilled to provide a platform for his bright and expressive acrylic and pastel paintings, along with braille descriptions of each one.

“My blindness, in a sense, gives me the originality,” says artist Blackwell of his lively, jazz-inspired paintings, which are on display starting today in the 1155 Market Street lobby. “Before, I was trained. I could do a sketch of you in a minute and a half. I could have been a courtroom artist. I can’t do that no more, so I just had to take another approach. I use my fingers, I use the bottom of a paintbrush, I pour paint onto the paper. I’d much rather do that. That’s what I’m after — that improvisation, that serendipity.”

Blackwell’s paintings will be up in the lobby until October. Get a taste of photos and descriptions below, or come by our headquarters and ask at reception for braille or large print titles, prices, and descriptions of the paintings.

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A shot of the lobby with paintings hanging on the righthand wall as you walk in.

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An image of three paintings, from left to right: 

73 Miles Away X the Speed of Light     

24 x 39.5 inches

$1,400

Acrylic on Canvas

Quick, bold strokes of paint form the uneven figure of a saxophonist in the right quadrant of the canvas. The figure leans into his yellow and orange instrument. Short blue, gray, tan and green brush strokes give the background depth and accent an ovular silver and yellow globe in the top left corner.

(#5) Drummer in the Thick of It    

20 x 24 inches

$350

Acrylic on Canvas

A drummer keeps time with wire brushes on a pair of golden cymbals. He is seated, wearing green pants and blue shirt. His face sports a classic drummer’s grimace — as though he just settled into a particularly groovy beat. The paint strokes are thick and bold — black outlines filled with jewel tones of blue, pink, gold, yellow and green.

(#20) Hummin’ Down That One Lonely String

2011

30 x 40 inches

$1,600

Acrylic on Canvas

A bass player in a blue suit plays on a textured stand-up bass. His loosely depicted face is jovial. The background is a patchwork of lines in primary colors with a large golden orb in the top right and a window in the top left. The number 3 stands out against the lines in the background.

A standing, bowed saxophonist emerges into the canvas on the right. He plays a golden saxophone that is almost the length of his body. A smaller figure playing a trumpet is behind him. Both figures play into a silver old-fashioned microphone in the bottom left-hand corner of the canvas. Two golden spotlights hang in the top left corner of the image. The background is a repetitive rhythm of short, blunt strokes of blue, pink, purple, yellow and maroon.

(#1001) After the Movement of the Blue Note Mystery

24 x 30 inches

$880

Acrylic on Canvas

A standing, bowed saxophonist emerges into the canvas on the right. He plays a golden saxophone that is almost the length of his body. A smaller figure playing a trumpet is behind him. Both figures play into a silver old-fashioned microphone in the bottom left-hand corner of the canvas. Two golden spotlights hang in the top left corner of the image. The background is a repetitive rhythm of short, blunt strokes of blue, pink, purple, yellow and maroon.

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(#14) Savory Smoky 1967 Night Club

2013

26 x 34 inches

$875

Ink on Paper

A freely depicted trumpet player, saxophonist and drummer are grouped at the right of the painting, all in smoky tones. Their instruments are accentuated with yellow. The background is a warm wash of yellow with a few red accents.

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(#1004) Downstairs in the Dark of Blue with Rahsaan Roland Kirk Inflated

57 x 38 inches

$3,800

Acrylic on Canvas

Jazz artist Rahsaan Roland Kirk wears sunglasses and plays three saxophones at once. Directly behind him is a trumpet player, and in the background, a small bassist and a drummer. A mask adorns the wall and a banana hangs from the sky to the right of Kirk. All of the figures are made up of bold lively pinks, purples, yellows, reds and blues. The background is a deep blue patterned with straight but variable lines.

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Kulu se Mama in Conference with Moe Betta over Lucy

16 x 22 inches

$750

Acrylic on Canvas Board

Three African-inspired figures stand, statue-like, in a row. The smallest, on the left, is a female form, perhaps in the distance. The figure in the center is indigo blue and the other two are covered in geometric patterns in bright red and yellow.

Stop by our headquarters at 1155 Market Street to view the full exhibition! 

Street Photography – By and For the Blind

Tim Tonachella’s voice is unmistakable. I’ve learned its texture, its subtle turns and the meaning behind the sounds. It’s got some gravel in it; it throws stones playfully. Over several phone calls with the Michigan photographer this past year, though, when we talked about his life, his approach and his raw, explorative photography – the main thing ringing in my ears was that he didn’t want the first bullet point to be that he’s blind.

We talked a lot about how describing things affects how they’re perceived, and my intention was not to congratulate him for being the first legally blind guy to pick up a camera (he’s not, in case you’re wondering).

I reached out to ask if we could use his work in an exercise to help explore the  process and practicalities of describing artwork for a blind audience. He was kind enough to say yes, and today we’re able to present never-before-seen photos along with a conversational, round-table audio description from a few folks who have spent time at the intersection of blindness and visual art: UC Berkeley professor Georgina Kleege, SFMOMA curator Peter Samis and San Francisco photographer Troy Holden.

Before we dive into the audio, a bit more about Tim Tonachella. He came to photography later in life, and when he first picked up the camera, everyone seemed to scratch their heads. He had gone to the Michigan School for the Blind with the likes of musician Stevie Wonder and our own Enchanted Hills Camp Construction Manager George Wurtzel, and though he still wryly jokes that he “never really liked blind people” much, his legal blindness was a constant throughout his life. When he picked up the camera in his fifties though, he suddenly had access to new worlds. The telephoto lens wasn’t, as many might assume, a confounding tool only for use by sighted folks, but instead opened up environments and enhanced his ability to see much in the way it would for those who clock in at 20/20 on the eye chart.

On January 27, Tonachella’s show “Growing Old On the Street” opens at the Downriver Council for the Arts in Wyandotte, MI. The collection is full of portraits, candid and posed, that reflect  the toughness of Tonachella’s human fabric. The show, which also showcases the interpretative works of dozens of other artists, reflects Tonachella’s core sensibilities: generous, honest and a bit rough around the edges. Tonachella’s process is a labor of love, and often involves sitting patiently to hear the stories and take in the realities of the quietly persevering souls that cities have left behind.

Listen to the whole discussion in the playlist above or click each image to be directed to its associated Soundcloud link. Find out more about Tim Tonachella’s upcoming shows at the end of this post.

Photograph 1: A man sits on a concrete ledge and leans his weight into wrought iron fence. His wears a bucket hat and the smoke from the cigarette curled in his right hand catches in the light. A bottle of hard liquor is perched next to him on the ground, slightly concealed by an angular concrete block. Click the image to hear the corresponding audio file.
Photograph 1: A man sits on a concrete ledge and leans his weight into wrought iron fence from BeitzellFence.com. His wears a bucket hat and the smoke from the cigarette curled in his right hand catches in the light. A bottle of hard liquor is perched next to him on the ground, slightly concealed by an angular concrete block. Click the image to hear the corresponding audio file.
Photograph 2: An old man clasps a cigarette in his wizened mouth, below his salt and pepper mustache. He wears a bucket hat and a worn polo. His eyes are closed. Click the image to hear the corresponding audio file.
Photograph 2: An old man clasps a cigarette in his wizened mouth, below his salt and pepper mustache. He wears a bucket hat and a worn polo. His eyes are closed. Click the image to hear the corresponding audio file.
Photograph 3: An old, closed-down, shuttered candy store. A clutter of old boxes and furniture appear through the gaping window. Click the image to hear the corresponding audio file.
Photograph 3: An old, closed-down, shuttered candy store. A clutter of old boxes and furniture appear through the gaping window. Click the image to hear the corresponding audio file.
Photograph 4: A man in a knit cap, denim jacket and hoodie looks at the camera with a steady gaze. Click the image to hear the corresponding audio file.
Photograph 4: A man in a knit cap, denim jacket and hoodie looks at the camera with a steady gaze. Click the image to hear the corresponding audio file.
Photo 5: The same man breaks into a toothy grin. The shot is farther away and reveals the piano he sits at, his gloved finger pressing into ivory keys. Click the image to hear the corresponding audio file.
Photo 5: The same man breaks into a toothy grin. The shot is farther away and reveals the piano he sits at, his gloved finger pressing into ivory keys. Click the image to hear the corresponding audio file.

Tonachella’s exhibition at The Downriver Council for the Arts runs from January 27 through February 10, 2017. Downriver Council for the Arts, 81 Chestnut Wyandotte, MI 48192

He’ll also be featured in two other shows in Michigan coming up in July and October this year.

July 2017: Village Theater at Cherry Hill, 50400 Cherry Hill Road, Canton, MI 48187 (exact dates to be announced)

October 2017: Tim’s solo show will Exhibit during National Visual Impairment month. Y Arts, The YMCA of Metropolitan Detroit, 1401 Broadway St, Detroit, MI 48226 (exact dates to be announced)