Tag Archives: Blind

Ten-Week Peer Support Group in Spanish

Anabella Denisoff and Esmeralda Soto will co-facilitate a support group starting Wednesday, June 22 to August 31. This group will meet every Wednesday from 2:00 p.m. to 4:00 p.m. at our new headquarters.

Where: LightHouse for the Blind, 1155 Market St., 10th Floor, San Francisco, California 94103.
When: Wednesdays, from June 22 to August 31, 2:00 p.m. to 4:00 p.m.

Each week there will be a new topic for discussion regarding all aspects of living independently with changing vision. Thanks to a grant from the CA State Department of Rehabilitation OIB funding, there is no charge for people 55 and over. Scholarships are available to adults under 55.To register for this group, contact: Esmeralda Soto at 415-694-7323 or esoto@lighthouse-sf.org.

Diez Semanas de Grupo de Apoyo en Español
Anabella Denisoff y Esmeralda Soto facilitaran un grupo de apoyo, comenzara Miércoles, Junio 22-Agosto 31, 2016. El grupo se reunirá cada Miércoles de las 2:00 p.m.- 4:00 p.m. en nuestro nuevo edificio.

Dónde: LightHouse for the Blind, 1155 Market St., 10th Floor, San Francisco, California 94103.
Cuando: todos los Miércoles entre 22 de Junio a 31 de Augusto, 2:00 p.m. a 4:00 p.m.

Cada semana habrá un nuevo tema para discusión tocante todos aspectos sobre viviendo independientemente con los cambios de visión. Gracias al OIB(Older Individuals who are Blind) financiada por el Departamento de Rehabilitación del Estado de California no habrá costo a adultos 55 años de edad o más. Becas seran disponible a adultos menor de 55 años de edad. Para registrarse para el grupo, por favor de contactar a: Esmeralda Soto al 415-694-7323 o esoto@lighthouse-sf.org.

Stay the Week – Learn and Connect at our New Headquarters

Students and instructors from the January class gather for a group photo in front of the fireplace at Enchanted Hills RetreatJoin us this month for our first Changing Vision Changing Life (CVCL) Immersion Training at our new Headquarters offices at 1155 Market Street in San Francisco.

Our new Student Residences can accommodate 2 to 3 students per room. Each Student Residence offers wireless internet connections, recharging stations and a personal bureau.  Students will be provided with a continental breakfast, lunch and dinner. The lodging is akin to a modern Bed and Breakfast – private men’s and women’s facilities are a short walk down the hall from each room. Student lodging is secure and comfortable both for learning and for connecting with others when there is a break from training.

Dates for our upcoming training sessions in 2016, all at our new Headquarters in San Francisco

Where: LightHouse for the Blind, 1155 Market St., 10th Floor, San Francisco, California 94103

Session Dates:

June Session: June 13th to 17th (Deadline for sign-up is June 3rd.)
July Session: July 10th to 15th (note: all training in Spanish) (Deadline for sign-up is July 1st.)
August Session: August 16th to 22nd (training starts at our Napa site and finishes in San Francisco) (Deadline for sign-up is August 5th.)
September Session: September 18th to 23rd (Deadline for sign-up is August 9th.)

Over 160 active adults from all parts of Northern California have participated in the LightHouse immersion training programs at the Enchanted Hills Retreat in Napa. Providing a second venue to facilitate Changing Vision Changing Life Immersion brings to our students the urban feel of training as well as the additional access a city has to offer, such as visiting the library for the blind; attending an audio described movie at a local movie theater or participating in an accessible art tour at one of the many museums in San Francisco.

You can be one of the first to go through our 2016 Immersion training in San Francisco. In our new urban environment you and your peers will be immersed in building a foundation of independent living skills, access technology skills, orientation and mobility and peer support to get you started on your journey of living your life the way you want in maintaining your independence. All of this along with the energy and vibrancy of one of the most beautiful cities in the world surrounding you.

The CVCL curriculum, presented in four or five sessions per day, includes: ways to read printed materials; understanding how lighting, contrast and magnification can help you every day; techniques for organizing and labeling in your home or office; best methods for taking notes; basic cooking skills; traveling and moving safely and confidently in your home and in the community and understanding how accessible computers and other high and low tech equipment can enhance your life.

Evening discussions focus inwards, from conversations about holding yourself accountable on your journey, to self-advocacy to questions about how friends, family and partners can understand/support you and your path. Sometimes the process is planned, other times it becomes very organic. Each person and every group of students is different and we individualize much of the experience depending on your own aspirations.

Gaining understanding of what is available to you, getting hands-on with new skills and developing renewed confidence with changing vision is the overall theme of the week. While the experience is different for everyone, the act of coming together with other adult students and teachers who are blind or have low vision, to learn or relearn skills and get back into the stream of life, is a pivotal part of the week-long experience.

Transportation access to San Francisco from Humboldt County will be provided for North Coast students and for those who reside in the bay area, 1155 Market sits right above the Civic Center BART and is only a short cab ride or bus from the Cal Train Station and the temporary Trans Bay Terminal.

Blind or low vision students who are interested should have a genuine interest in learning the skills for moving forward; enjoy learning with a group of peers and are able to participate full day (from 9:00 a.m. to 8:30 p.m. every day) of active learning and physical participation (urban mobility and public transit in San Francisco).

Note, there is no cost to attend if you are 55 or older and living in San Francisco, Alameda, Marin, Humboldt or Del Norte counties. Limited scholarships are available for persons under 55 and not eligible for Department of Rehabilitation Services.

The Changing Vision Changing Life Immersion Training is open to adults who are ready for a jump start or a recharge as their vision has changed. Be the first student to join us in San Francisco. Interested? Contact LightHouse staff in San Francisco, San Rafael or Eureka:

Disney – Pixar is Making Movies Better for Blind People

concept art: a landscape from Pixar's new film, 'The Good Dinosaur'

On a warm, sunny morning last month, a group of LightHouse employees piled into a van and drove north to Skywalker Ranch, George Lucas’ historic outpost in the rolling hills of Marin County. But we weren’t there to talk Wookies and Ewoks; we were being hosted, along with a handful of other blindness organizations, by Pixar Animation Studios

Some might be surprised to hear that Pixar and Disney (which now owns the Emeryville-based animation studio) would be seeking out blind and low vision individuals to test animated movies, but that’s exactly what was happening last month. In Lucas’ private theater, a group of almost thirty sat for a test screening of Pixar’s summer hit, Inside Out, each with a light set of headphones and a specially-loaded iPad on their lap. A small group of some of Pixar and Disney’s greatest movers and shakers waited patiently for feedback of a brand new technology they’ve been working on for some time now. Specifically, they’re on a mission to figure out two things: What is good audio description, and how can it best be delivered.

Many blind moviegoers and television fans don’t use audio description (also called Descriptive Video Service or DVS). Due to a combination of factors, including a range of DVS standards and practices, there are lots of blind and visually impaired folks who feel like it’s just not for them. Personally, I was one of those people — I had never watched a full film with audio description, and I’m told that about half of the group gathered at Skywalker was in the same boat.

And yet, once the narration kicked in and we got the levels right, the audio described Inside Out was a ball. We laughed, we (well, some of us) cried. Most of all, there wasn’t one person in the theater that felt left out of the experience. None of us needed to whisper back and forth quizzically about what was happening onscreen; none of of us sat silently spacing out during action sequences; and most importantly, we all smiled at the same time.

Paul Cichocki, the post-production supervisor at Pixar who oversees foreign language and audio described soundtracks, has been running these kind of focus groups for years, but this year they’re trying a few, exciting new things. “All studios make an effort to do this descriptive audio track,” he told me, “but we wanted to place the same kind of attention to the quality of audio narration as we do to the films themselves.” Disney’s aim, under the guidance of Paul and others, is to innovate rather than placate, to find an elegant solution to the seemingly daunting challenge of helping blind folks enjoy the movies as much as anyone else.

After the film, I sat at a table with Inside Out’s producer Jonas Rivera (who also produced Up) and a few other blind elementary and high school students and talked about our experience. We had all found the audio description satisfactory, useful, and even pleasurable — even those of us who had never used the tool before — but Rivera was nonetheless eager to improve the experience in any way possible.

“Did you understand what memories looked like?” He asked about clarity of action, about the choice of narrator, about how to properly introduce all the characters without overloading the listener. As the kids and adults responded, he took studious notes. “If this was me, when Joy sees Bing Bong disappear, I would amplify that maybe — but maybe that’s not right. Does it feel like the narrator is too robotic maybe? A little too literal, in some ways?” Jonas scribbled on a notepad as the kids talked. Simultaneously, at six other tables, a different Disney or Pixar employee did the same with other groups.

a voice actress works on the audio description for "The Good Dinosaur"When I spoke to Paul again this week, he had just gotten back from LA, where he was working with the voice actor recording audio description for Pixar’s new film, The Good Dinosaur. Usually the narrator’s script for an audio described film is contracted out to a specialized agency — in Pixar’s case it’s WGBH in Burbank, which handles most broadcast and film audio description on the west coast. Even with contractors like WGBH, Paul is totally hands-on. “I don’t know of any other studio that sits down and reviews the script for the narration track,” he told me this week. “We have the producer, the director, the writer, the film editor and myself comb through that script and make changes. I sent 3-4 rounds of changes to WGBH for The Good Dinosaur. And it’s about helping them, too — they don’t get direct feedback very often about what’s good and bad about their script.  We want to up that standard for the whole community — so that blind people can feel like they really saw the movie.”

Check back on the LightHouse blog again soon for more exciting news from Disney•Pixar.

article by Will Butler

Disney•Pixar is Making Movies Better for Blind People

concept art: a landscape from Pixar's new film, 'The Good Dinosaur'

On a warm, sunny morning last month, a group of LightHouse employees piled into a van and drove north to Skywalker Ranch, George Lucas’ historic outpost in the rolling hills of Marin County. But we weren’t there to talk Wookies and Ewoks; we were being hosted, along with a handful of other blindness organizations, by Pixar Animation Studios

Some might be surprised to hear that Pixar and Disney (which now owns the Emeryville-based animation studio) would be seeking out blind and low vision individuals to test animated movies, but that’s exactly what was happening last month. In Lucas’ private theater, a group of almost thirty sat for a test screening of Pixar’s summer hit, Inside Out, each with a light set of headphones and a specially-loaded iPad on their lap. A small group of some of Pixar and Disney’s greatest movers and shakers waited patiently for feedback of a brand new technology they’ve been working on for some time now. Specifically, they’re on a mission to figure out two things: What is good audio description, and how can it best be delivered.

Many blind moviegoers and television fans don’t use audio description (also called Descriptive Video Service or DVS). Due to a combination of factors, including a range of DVS standards and practices, there are lots of blind and visually impaired folks who feel like it’s just not for them. Personally, I was one of those people — I had never watched a full film with audio description, and I’m told that about half of the group gathered at Skywalker was in the same boat.

And yet, once the narration kicked in and we got the levels right, the audio described Inside Out was a ball. We laughed, we (well, some of us) cried. Most of all, there wasn’t one person in the theater that felt left out of the experience. None of us needed to whisper back and forth quizzically about what was happening onscreen; none of of us sat silently spacing out during action sequences; and most importantly, we all smiled at the same time.

Paul Cichocki, the post-production supervisor at Pixar who oversees foreign language and audio described soundtracks, has been running these kind of focus groups for years, but this year they’re trying a few, exciting new things. “All studios make an effort to do this descriptive audio track,” he told me, “but we wanted to place the same kind of attention to the quality of audio narration as we do to the films themselves.” Disney’s aim, under the guidance of Paul and others, is to innovate rather than placate, to find an elegant solution to the seemingly daunting challenge of helping blind folks enjoy the movies as much as anyone else.

After the film, I sat at a table with Inside Out’s producer Jonas Rivera (who also produced Up) and a few other blind elementary and high school students and talked about our experience. We had all found the audio description satisfactory, useful, and even pleasurable — even those of us who had never used the tool before — but Rivera was nonetheless eager to improve the experience in any way possible.

“Did you understand what memories looked like?” He asked about clarity of action, about the choice of narrator, about how to properly introduce all the characters without overloading the listener. As the kids and adults responded, he took studious notes. “If this was me, when Joy sees Bing Bong disappear, I would amplify that maybe — but maybe that’s not right. Does it feel like the narrator is too robotic maybe? A little too literal, in some ways?” Jonas scribbled on a notepad as the kids talked. Simultaneously, at six other tables, a different Disney or Pixar employee did the same with other groups.

a voice actress works on the audio description for "The Good Dinosaur"When I spoke to Paul again this week, he had just gotten back from LA, where he was working with the voice actor recording audio description for Pixar’s new film, The Good Dinosaur. Usually the narrator’s script for an audio described film is contracted out to a specialized agency — in Pixar’s case it’s WGBH in Burbank, which handles most broadcast and film audio description on the west coast. Even with contractors like WGBH, Paul is totally hands-on. “I don’t know of any other studio that sits down and reviews the script for the narration track,” he told me this week. “We have the producer, the director, the writer, the film editor and myself comb through that script and make changes. I sent 3-4 rounds of changes to WGBH for The Good Dinosaur. And it’s about helping them, too — they don’t get direct feedback very often about what’s good and bad about their script.  We want to up that standard for the whole community — so that blind people can feel like they really saw the movie.”

Check back on the LightHouse blog again soon for more exciting news from Disney•Pixar.

article by Will Butler